Growing up in Omaha, Nebraska, prop stylist John Dittrick had certain interior-design instincts early on. “I had this Playmobil dollhouse, and my cousins had one too, and I remember going to my cousins’ house and looking at the way they set theirs up and going, Oh no, they’ve got it wrong,” he says, laughing. “That’s not where I would put that couch. And my sisters had Barbie dollhouses that I also loved. My mom had this custom Barbie dollhouse made for them that had wallpaper and wooden floors and working electricity, and I was obsessed with it.”
Dittrick starred in local productions of Oliver and A Christmas Carol and “became like this local celebrity,” he says. He studied set design at college; after graduation, he set out for New York City in 2017.
“I had really moved here not knowing what I was going to do,” he says. He found a job as a host at a rooftop bar, then after a few months was hired at West Elm as a merchandise coordinator.
He moved around a lot, sharing apartments with roommates until he struck out on his own in 2021 and found a floor-through rental in Brooklyn that checked all the boxes: “I wanted a place with some character and charm that felt like it had some history. So that was the main thing, and I wanted space, which was difficult budgetwise. But I was looking for a spot where I could host guests; I really wanted that so I could have friends and family visit. And as a prop stylist, I wanted a space with storage. I have a lot of props and décor.”
The railroad had its quirks, including mysterious framed areas in the walls where windows might once have been. When it came time to decorate, he had to reconcile his own taste with the look of his childhood home. “I was very influenced by the taste my mom had,” he says. “She really struggled with stuff, both in a sentimental way and in a sort of record-keeping way. Our house was beautiful, but it was very cluttered. And I have inherited a lot of those sentimental sensibilities. I tend to hold on to things, but all that gives me anxiety, too, so sometimes I feel very burdened by stuff.”
Dittrick decided to swap the locations of the bedroom and the living room, changed out the light fixtures, and covered the basic granite counters with waterproof contact paper. He also replaced a door with a curtain for more space in the guest-room area. Overall, the apartment has more of the modern sensibilities he developed by working at West Elm and knowing designers. “I wanted my home to feel lived in and personal and welcoming and cozy but also to have some air and some space. And not be overwhelming.”
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